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Protista 1

There was a great drought in our region. All the rivers dried up. All the wells dried up. There was not a drop of water anywhere. I lived alone in a hut next to the barren fig-tree which had never been known to have any fruit on it. Now and then it would show signs of being alive but these always withered and were carried away by the relentless winds from the south-east which were dry and dusty and would sting into the very coolness of our minds. Those winds, they were fierce and scathing and not a drop of moisture was left.

My hut was on a slight rise on the shoulder of the Lesapi Valley. The valley was red and clayey and scarred with drought fissures from the burning sun and the long cold nights when I lay awake thinking of Maria the huntress who had one morning taken down her bows and arrows and had gone out into the rising sun and had never been seen again. But before she left she had drawn a circle in red chalk on the wall by my bed and said: 'If the circle begins to bleed and run down the wall that means I am in danger. But if it turns blue and breaks up into a cross then that means I am coming home.'

The drought began the very day she left me. There was not a green blade of grass left. There was not a green leaf of hope left; the drought had raised its great red hand and gathered them all and with one hot breath had swept all the leaves into a red dot to the pencil-line of the horizon where Maria had last been seen taking aim with her bow and arrow at a running gazelle.

And twelve long lean years had passed by somehow.

I still had three more years to serve. I had been exiled to this raw region by a tribunal which had found me guilty of various political crimes. Maria had been my secretary and my wife and had for long endured the barren fire of exile with me. And the sun burnt each year to cinders that darkened the aspect of the region. I began to forget things. My dreams still clung defiantly to the steel wire of old memories which I no longer had the power to arrange clearly in my mind. My imagination was constantly seared by the thought of water, of thirst, of dying barren and waterless and in the grave to be nothing but dehydrated 'remains'. It was not so much forgetting as being constantly preoccupied with the one image of water. And water in my mind was inextricably involved with my thoughts about Maria, about my own impotence, about the fig-tree, and about the red soil of the Lesapi Valley. The years of my life that had gone were so much time wasted, so little done, so many defeats, so little accomplished; they were years I would have preferred to forget if they did not in themselves contain my youth and the only time Maria and I had been happy together. And now, disjointed, disconnected, they came back to me unexpectedly and with such a new grain in them that I hardly recognised them for what they were. There was the story my father had told me, when I was barely six years of age, about the resilience of human roots: a youth rebelling against the things of his father had one morning fled from home and had travelled to the utmost of the earth where he was so happy that he wrote on their wall the words 'I have been here' and signed his new name after the words; the years rolled by with delight until he tired of them and thought to return home and tell his father about them. But when he neared home his father, who was looking out for him, met him and said 'All this time you thought you were actually away from me, you have been right here in my palm.' And the father opened his clenched hand and showed the son what was written in this hand. The words -and the very same signature-of the son were clearly written in the father's open palm: 'I have been here.' The son was so stunned and angry that he there and then slew his father and hung himself on a barren fig-tree which stood in the garden. I dreamed of this story many times, and each time some detail of it would change into something else. At times the father would become Maria the huntress; the son would be myself; and the fig-tree would become the tree just outside my own hut. But sometimes the son would become Maria and I Would be the father whose clenched hand contained everything that Maria was.

The scarred hand of exile was dry and deathlike and the lines of its palm were the waterless riverbeds, the craters and fissures of dry channels scoured out of the earth by the relentless drought. My own hands, with their scars and cal- louses and broken fingernails, sometimes seemed to belong not to me but to this exacting punishment of exile. And yet they had once tenderly held Maria to me; and she had been soft and warm and wild and demanding in, these very same hands. These hands that now were part of the drought, they had once cupped the quickening liquids of life, the hearty laughter of youth, the illusory security of sweet-smelling illusions. These hands that now were so broken, they had once tried to build and build and build a future out of the bricks of the past and of the present. These hands that had never touched the cheek of a child of my own, they were now utterly useless in the slow-burning furnace of the drought whose coming had coincided with Maria's going away from me.

To be continued

     
 
 

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