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So you see, it is perfectly
normal people, if you can call poets normal
people, who indulge in the "pain kiss" and
derive intense pleasure from it. Punishment,
after all, can be more than painful. For
instance, in another poem, a poet says:
And if she dared her lips
to pout,
Like many pert young
misses,
I'd wind my arms her waist
about
And punish her with kisses.
Naturally, in the
"nip-kiss" the kisser is not supposed to open
his mouth like the maw of a lion. and then sink
his fangs into the delicate-flesh of the kissee.
Ridiculous! The procedure is the same as the
ordinary kiss except that, instead of closing
your lips with the kiss, you leave them
slightly. open and, as though you were going to
nibble on a delicious tidbit, take a playful
nip into either the nape of the neck, the cheek
or the lips. just a nip is enough. And the
resultant pleasure, I assure you, will more than
compensate for the slight inconvenience of pain.
Now there might be some of
you who may wonder why such kissing subterfuges
and substitutes are necessary. It is only that
man is a questing animal. He is never satisfied
with the ordinary and commonplace because the
commonplace, after a time, becomes very boring.
Not that I mean to infer that the usual
"lip-kiss" is commonplace.. Absolutely not. The
"lip-kiss," as I have mentioned before, is the
piece de resistance, the main course in the
"banquet of love" as the poet, Qvid, called it.
But imagine a meal in which there were seven
courses of filet mignon or seven courses of
lobster. You'd get sick and tired of a tender
filet after the third course, wouldn't you? And
after the second lobster, you wouldn't be able
to look a lobster in the eye, that is, providing
a lobster has eyes. So you see why it is that if
the lip-kiss were indulged in exclusively, you
would reach a point where it would lose all of
its rapturous savor.
VARIATION, KISSES ARE THE
SPICE OF LOVE
A variation 6f the
"lip-kiss" can be performed very nicely. Instead
of pressing the lips together at one spot, start
at one corner of the mouth and brush your closed
lips across the entire mouth. A variation of
this, in turn, is to part your lips slightly
and, with the tip of your tongue in the groove
that separates the two lips, brush your lips
from side to side. Naturally, .additional
variations to this last variation suggest
themselves immediately to the aware practitioner
of the kiss. In fact, to such a person there
should come up hundreds of other variations to
titillate and titivate the senses.
One such variation suggests itself. Technically,
it is not exactly a variation but simply a
variation in the technique of the ordinary
"lip-kiss." It employs the use of the ".delayed
action" in its execution. The old story of the
fox and the grapes which were tantalizingly
dangled over his head is the foundation for the
method. Simply, the procedure is this: just
before lowering your lips for the kiss, instead
of planting the kiss, draw your head back again.
Then, hold your lips in readiness but do
not-kiss. Hold this position for as long as
possible the while you smile tantalizingly into
the eyes of the girl. Finally, when both you and
she can stand the suspense no longer, then lower
your lips, Slowly, as slowly as you possibly
can, and imprint the seal of-love onto the avid
mouth of
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