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"sweet, airy nothings" into it. From the ear to her neck is
but another few inches.. Let your lips traverse this distance quickly and then
dart into the nape and, with your lips well pursed, nip the skin there, using
the same gentleness as would a cat lifting her precious kittens.
Then, with a series of little nips, bring your lips around
from the nape of her neck to the curving, swerve of her jaw, close to the ear.
Gently kiss the lobe of her ear. But be sure, to return to the tender softness
of her jaw. From then on, the way should be clear to you. Nuzzle your lips along
the soft, downy expanse until you reach the comer of her lips. You will know
when this happens because, suddenly, you will feel a strange stiffening of 'her
shoulders under your arm. The reason for this is that the lips constitute one of
the main erogenous zones of the body. The nerve ends in it are so sensitive that
the slightest contact with them sends a pleasurable thrill immediately through
the nervous system, through the medulla portion of the brain, back through the
nervous system again, through branches which connect up with motor nerves, in
this case the nerves that control the sphincter muscles of the mouth and lips,
and the sexual glands which were mentioned before.
In plain English, the kissee knows she is to be kissed.
Alright. You have subtly kissed the corner of her mouth.
Don't hesitate. Push on further to more pleasurable spots. Ahead of you lies
that which had been promised in your dreams, the tender, luscious lips of the
girl you love. But don't sit idly by and watch them quivering.
Act!
Lift your lips away slightly, center them so that when you
make contact there will be a perfect union. Notice, only momentarily, the
picture of her teeth in her lips. And, then, like a sea-gull ' swooping
gracefully down through the air, bring your lips down firmly onto the lips of
the girl who is quivering in; your arms.
Kiss her!
Kiss her as though, at that moment, nothing else exists in
the world. Kiss her as though your entire life is wrapped up into the period of
the kiss. Kiss her as though there is nothing else that you would rather be
doing. Kiss her!
At this point, it
is necessary for us to discuss a few subjects which are germane to the art of
kissing, particularly in so fir as they apply to what has just been described.
For instance, there has been raised quite a full in regard to whether one should
close one's eyes while kissing or while being kissed. Personally, I disagree
with those who advise closed eyes. To me, there is an additional thrill in
seeing, before my eyes, the drama of bliss and pleasure as it is played on the
face of my beloved. I can see tiny wrinkles form at the comers of her eyes,
wrinkles of joy. I can see fleeting spasms of happiness flit across her eyes. I
can see these things and, in seeing them, my pleasurable reactions to the kiss
are considerably heightened. In keeping my eyes open, I am giving pleasure not
to one sense alone, the sense of touch, but to two senses, the senses of touch
and of sight. These two, coupled with the sense of smell which is actuated by
the perfume of her
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